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My career as a photographer began the day I visited an art gallery in Jackson Hole, Wyoming in 2000. I was particularly moved by photographs depicting scenes of unique lighting in canyons, especially the slot canyons. When I visited these canyons myself, I used slow film (50ASA) and set the aperature at f/16 to allow maximum depth of field. In dark areas, this required exposures of up to 30 seconds with the camera set on a good tripod. These resulted in some very unique photographs revealing abstract scenes of the geological environment. Light rays that were only faintly visible to the human eye created a spiritual sense in the photograph. This use of Time and Light has since become my theme for my photography.
Since that time, I try to capture the essence of every scene, whether it be a sunrise, sunset, a wedding photograph or anything else I am viewing through my lens.
I've had many wonderful experiences taking photographs, but celestial scenes hold a special attraction. While living in Idaho, I was looking forward to the Leonids meteor shower in late November, but rain was predicted all weekend in the area. I wanted to see this meteor shower, so I drove six hours south to Price, Utah and witnessed the most amazing celestial event I could imagine. So many meteors were visible in that dark, southern Utah sky that night, that I literally saw thousands of them. There was a time between 3am and 4am, that there was at least one in the sky at all times. I took a few rolls of film with me that night and took 5-10 minute exposures of this event.
Another time, I drove 600 miles to Monument Valley when I knew the moon was going to rise 45 minutes ahead of the sun. Also, I knew Venus and Jupiter were in close proximity. When I set up my tripod at 4:30am, Jupiter was just rising. Shortly after that was Venus and then followed by the moon. The horizon appeared bright orange against the deep blue-indigo sky, but I captured Jupiter, Venus and the moon in perfect alignment. |
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